Last weekend we were fortunate to have a bunch of folks from out of town who utterly kick ass at their tools to play with. Lots of fun stuff came out of it when we got together for a spin jam on Sunday--here's a couple of the ideas we toyed with. Here we start off with hybrids and try to keep them continuous even as we are throwing one poi around. I'm finding it's easiest to use the poi tracing the smaller circle for this operation. Here we have static vs. extension and iso vs. extension with hands together.

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Remember that funky thing I played with last week that combined elements of CAPs, floats, stalls, and extensions? Well I put it into wallplane and found that just like it's wheelplane cousin, it opens up the doors to lots of transitions to wallplane CAPs, antispins, plane-shifts, and more. This pattern is reminding me more and more of Charlie's concept of totipotent patterns that can switch between timing and direction combinations.

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I'm back from Firedrums and managed to get a lot of footage of the event, though not nearly all the footage that I wanted to capture. One of the classes I really enjoyed was Russ's class on hybrids, though I think the patterns he taught us were actually much closer to being CAPs. Here are the patterns from that class--enjoy! :)

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Before I take off for Firedrums for the week, I wanted to post a little tech bit I got the inspiration for last week. We take G's hybrid stall out of the C-CAP as the root of a plane shift into CAPs behind the back and head. Arms are same-time opposites and poi are split-time same direction. Done cleanly I think this would make for a real eye-popping stunt and it sets up perfectly for returning to the original C-CAP in wheel plane.

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I've spent a bunch of time playing with the CAP vs BTH static spin hybrid this past week and realizing the transitions in and out of it are vastly easier than I thought. In fact, one can make a very cool and clean looking transition from either extension or antispin in the direction of the poi straight into this combo and back out. In particular, I like the way this works with opposites split-time.

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Nick Woolsey and G posted a video today that featured G doing a crazy kind of hybrid stall I'd never seen before. I got to playing with it and here is a fun pattern that came out of it, switching between CAP patterns with a split buzzsaw flower.

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Last week PoiBoi07 posted a great vid with some fun triquetra and cateye hybrids performed with the static/isolating hand behind the head. Here is the same hybrid as well as a couple others I've seen that utilize a similar approach, including extensions and C-CAPs.

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DerPoiBenne sent me an inquiry about doing a mixed transition with loop up top and extension down below inverted and it turns out it's doable with a stall. Here it is performed in split opposites such that one segment is antispin flower and the other is extension. I'd originally misunderstood what he was suggesting and did the loop as a major translation/linear isolation, so here is an interesting 4-step pattern using this property as well.

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Here's the second installment of my explanation of how hard and soft transitions work with Alien Jon's concept of arcs and loops. Here I demo all the permutations of these transitions through the intratangent circles (concentric) versus extratangent circles (outside--btw, if any mathematicians know what these concepts are actually called, please let me know) for a bunch of different circle sizes.

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The first installment of a short series of vids on transitions between unit circle patterns, antispin flowers, and extensions. What the common elements are and how to switch between them. Most of this vid is defining basic vocabulary and providing basic examples of the concepts that will be explored in later videos. A major debt for this is owed to Alien Jon, whose concepts of arcs and loops is one of, if not the critical underpinning of these concepts.

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