I know this topic has been done to death, but in trying to come up with a way to classify toroids, I came to realize we've barely scratched the surface of them. Here I use the approach of imagining the axes around which we can move the plane of a toroid as being similar to the major axes inside an octahedron and choosing specific axes that are parallel with the arm, hand path, or neither.

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There was a blink-and-you-might miss it moment in my video on timing and direction in toroid flowers that struck me as I was playing with them earlier today: namely, that toroids are direction agnostic. You can change the direction of the hand as you're performing one and keep the toroid in whatever mode you started in, be it antispin or isolation. This means that it inherits many of the mix-and-match capabilities from staff and clubs that we find with tools that aren't gravity dependent and opens up the field of what we can do with them a lot wider.

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200 tech blogs! This one is on how I've been working to create the hybrid families I've been frequently featuring in my videos over the course of the past year--I have two methods I use these days and this is the more visual one: finding the "lines" of the poi tricks to figure out how to switch between them. Sorry for the weird cuts--I had to get it under 15 minutes :-P

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I've been mapping out hybrids lately that utilize a relationship between the hands and realized I'd been assuming the handle was synonymous with the hands. I then started to think about cases in which the handles could be together but not necessary have the hands together. The first hybrid I played with seemed too easy, so I started doing it with an outer forearm roll and it led both to  isolation vs extension and triquetra vs pendulum hybrids.

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A couple weeks ago, Poiboi uploaded a new tech video and as I was watching it, I noticed an element of his style that had escaped me before but presented a good opportunity to woodshed a poi element I rarely use: throws. Specifically, I noticed that Poiboi frequently uses isolated throws to accomplish his timing and direction changes rather than 1.5s or stalls. I've been playing in the past week with doing isolated throws in all the same-time configurations I can think of, both in the same direction and not, plane-shifted, etc. Here are some of the results.

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Two more fundamental components of horizontal stacking explored here: the cateye and the point isolation. Neither of these moves is very stable and both require a little big of fudging to line up perfectly with the other poi, but there's still some cool applications for using them both--especially in the last pattern outlined here. Sorry about the uninspired music choice, though...it's nearly 1:30 AM and I just don't feel like digging through my music collection for something else :-P

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This is a trick inspired by Tim Goddard's recent video posting to the Facebook Tech Poi Group. In it, he switches his pendulum and CAP hands using an isolation out of what would otherwise be a spot where you could insert a cateye vs isolated pendulum. In an online chat, we discussed the possibilities of working off the extension rather than antispin to go into isolated split-opposites. The spacing also sets us up to be able to do horizontal cateye vs isolation or just go into any number of isolation-based tricks.

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When I was experimenting with timing and direction changes using the quarter-time stall pattern Poiboi used in his holiday performance video, I ran across a way to elevate CAP vs pendulum but got stuck when I realized I didn't have a good way to move it back down to its normal height. After playing with it for a couple weeks, I have a couple different approaches for doing this now--one involves going into a static vs extension hybrid off of the arc of the CAP and the other involves a very tricky iso vs cateye combo off the antispin section of the CAP.

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In New York I had a funky breakthrough wherein I realized I could stick a horizontal cateye vs iso hybrid on either end of the horizontal stall stacking move Charlie came up with based upon Mel's pattern at Wildfire. Knowing this, I tied together a bunch of threads from the past couple months using moves that all incorporate this hybrid and thus treat it as a transition tool to get between them. Some cool things came out of playing with this.

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Sorry I've disappeared! Last week was really intense and I didn't have a chance to do a video blog. This is based upon a trick Ted from New York posted in a video a few weeks ago wherein he was switching to iso vs horizontal cateye at each of the side petals of an opposites split-time antispin flower. Continuing with the antispin flower means that the hands have to exit on the opposite side of the unit circle they enter from, so you have to exit after half a turn, or add a half turn to every complete rotation of the trick.

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