Last video we rolled through three different approaches to defining CAPs. Here is an alternate approach to breaking down such motions: a couple years ago, Alien Jon introduced me to the idea of spinning composites. Compositing is chaining together increments of poi movement that overlap in hand and poi position to either create repeatable patterns or transition and shift seamlessly between patterns.

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This was a fun journey: over the weekend my friend Sean Stogner in New York reminded me of a move Marvin Ong and I had worked on in center camp at Burning Man this past year. It's a variant of the diamond split into two triquetras but each hand is working a different split, so they overlap in a quadrant. After experimenting with switching which hand was doing which split, I realized it was leading toward a third-order motion in which the hands would chase each other while the poi phased between quarter and split-time same direction.

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The companion video to Tech Blog 200--this one on how to find hybrid families using QFT (poi) notation. I highly recommend watching this in 720 and full screen so you can see all the numbers on the whiteboard. For some background, I highly recommend checking out my blog entry on the basics of QFT here:

http://drexfactor.com/weirdscience/2011/05/18/beginners_guide_poi_qft_no...

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I've been mapping out hybrids lately that utilize a relationship between the hands and realized I'd been assuming the handle was synonymous with the hands. I then started to think about cases in which the handles could be together but not necessary have the hands together. The first hybrid I played with seemed too easy, so I started doing it with an outer forearm roll and it led both to  isolation vs extension and triquetra vs pendulum hybrids.

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Over the weekend I started messing around with a slightly different approach to triquetra vs pendulum and found it opened up some transition points I rarely use but found to be really fun to incorporate into my flow. In this case I was playing with triquetra vs pendulum with the hands in opposites same-time and looking to the transition points on either side of the pattern, which can access static vs extension or same time same direction hybrids.

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Here's another trick Ronan was showing off on the playa--based in pendulum vs CAP, he was doing a catch with the poi head that would then be used to shift the center of the pattern to either side. Another option was throwing the poi head vertically to enter static vs triquetra. I don't often play with head catching tricks, but these have a really fascinating capacity for shifting an audience's point of attention.

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In Tahoe, G showed me this nifty interior stall pattern he'd been playing with that I'd at first thought to be a mere curiosity. It involved searching for transitions where the hands were crossed and so were the poi, but as we continued to play with it, a nifty hybrid pattern came out and later G pointed out that Ronan's triquetra fractal could be used as an intermediary trick. Here are all the transitions we found that week.

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