The final installment of our first beginners series: in this one we'll take what we know about turning and tick-tacks and apply them to turns between wheel and wall plane in all the different timing and direction combinations. Once you've mastered each of these positions, you can easily flow between them as you perform.

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This tech blog featuring special guest star Ted Petrosky! We got together for a jam in Brooklyn and he showed me a nifty contact trick that starts with a shotgun-style single hand spiral wrap and it got my gears turning. Here are two fun variants that utilize some other tricks we know and love and that really look cool with this move added in for some extra spice.

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I've found that I've been doing a lot more body tracers of late and it's motivated me to try and find transitions for them that integrate with other moves I know well. One such transition that's working out pretty well is horizontal stacks. Here are a couple transitions using vertical body tracers that set up stacks fairly well and as I discovered while filming also then present an opportunity to switch between different body tracers.

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This is the first entry of an experiment: doing tutorials on very basic level poi tricks for people just starting out. No tech to be found here, but if you've either just picked up your first set of poi or are a rote beginner, you may find something of value in these tutorials. In this first series, we're going to tackle basic hip reel turns. Tune in every Friday for the next three weeks to learn the basics of these types of movement.

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While I was in Boulder, Alien Jon and I spent an evening playing around with some movements based around creating right angles with inspin stalls and pendulums. Here are a couple variants we played with and a couple transitions one can use to get in and out of them.

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Shortest tech blog ever! A fun little variant on the split-time same direction stack I've played with before on this blog. Turns out it has more spaces to insert new movements than I'd really considered before and it leads to a nifty compound stack that reminds me of some stuff I've seen Charlie do.

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Last weekend as Ted and I played around in the Dube showroom in Manhattan, he showed me this nifty use for a toss forward over the shoulder. I'd seen Ronan doing this toss on the playa but hadn't yet thought of a good use for it, but Ted pointed out that one could then catch the poi head in cradle and the direction of the handle would continue in the direction to initiate a contact roll down the back of the forearm. The catch for this is exceptionally difficult, but I really like the result. Enjoy! :)

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This past weekend I had the great fortune of collaborating on what I think is one of my favorite projects of the year. I wanted to throw out a little postmortem on the project for folks who may want to understand how it came about and why four tech spinners got together for the utterly insane goal of creating three and a half minutes of choreography in 10 hours over two nights in New York City.

A follow-up to last week's poi math video. This one tells us how to determine the size of the hand path for poi when we're graphing out patterns using parametric equations. Includes properties of wavelength and amplitude among other nifty math concepts.

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Here's an interesting idea inspired by Mel's recent video of his workshop on snakes: I'd noticed that when he was practicing tracing along his arm that it was somewhat reminiscent of a box mode antispin flower that had been somewhat squashed. This reminded me of a concept that had been thrown out on the old Tribe tech poi group: the snake eye. This was a trick wherein you'd take a snake but perform it in antispin, theoretically creating cateyes around your shoulder. While Mel's arm tracer definitely doesn't produce a cateye, it does seem very compatible with snakes. Here's the result.

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There's been some chat in the past week about zero points and how they differentiate from plane bends and even whether they do so at all. Here's my take on the concept (which, rarely enough for poi seems to be very internally logical ;) and how one can think of plane changing as being something of a sliding scale where on one end the poi stops moving (zero point) and on the other the hand stops moving (orbing).

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The question of what constituted a CAP recently came up both in the Tech Poi and Vulcan Tech Gospel groups on Facebook. Here are what I'd consider to be the three main approaches to describing a CAP--in my next video, I'm going to detail a slightly different approach to this question and some of the cool patterns that come not from trying to classify all the CAPs, but from taking the lessons that learning CAPs provide and applying them to more complex types of motion.

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Whoa...white balance what? Anys, I've done a lot of videos lately on the concept of the toroid flower, and I wanted to revisit it from a place of flow--that is how toroid flowers can be combined with other types of spinning, specifically the 2D spinning we're more traditionally used to. Outlined here are two methods: plane-bending a toroid into the traditional plane orientation or imagining toroids that overlap on a single point and therefore create a junction to switch from one to another. Happy flowing! :)

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There was a blink-and-you-might miss it moment in my video on timing and direction in toroid flowers that struck me as I was playing with them earlier today: namely, that toroids are direction agnostic. You can change the direction of the hand as you're performing one and keep the toroid in whatever mode you started in, be it antispin or isolation. This means that it inherits many of the mix-and-match capabilities from staff and clubs that we find with tools that aren't gravity dependent and opens up the field of what we can do with them a lot wider.

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A couple weeks ago, I posted a video of Arashi teaching a class at Firedrums and in it, I was struck by the fact that his "crane" atom had a strong resemblance to together-L in Maiki Nope's breakdown of atomic planes for clubs and poi. If this similarity bears out, it would mean in essence that there are 3 different atomics that can be spun from a variety of angles, depending on the perspective of the viewer. Atomic spinners: how does this gel with the world you play in?

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Many moons ago I did a video on isolated throws and catches that began moving into the world of behind the back catches, but it wasn't until recently that I was really motivated to practice enough to add this trick solidly to my repertoire. Here are a couple of the tricks I've been using to make this trick more solid.

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This is a trick that Cyrille and Poiboi have both made use of a lot that I'm a big fan of--it's a pair of inner arm rolls performed such that the arms start spread out and then come together to perform the catch. As I worked through this, my original conception of the trick was to have the planes of the handles and tether flush with the back of my arm, but I realized as I played with it that instead the planes had to be at a slightly oblique angle as the direction of the head follows the angle of the tether in contact.

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So...roll call, how many of us interested in QFT have ever bothered to watch Charlie's videos on the topic all the way through? The one on notation clocks in at an astounding 45 minutes and I'll confess that even though I've been working on the notation system with him for nearly a year, I've never watched the video all the way through. 45 minutes was just too long a commitment to make for something that didn't showcase any spinning and was all theory and instruction.

The companion video to Tech Blog 200--this one on how to find hybrid families using QFT (poi) notation. I highly recommend watching this in 720 and full screen so you can see all the numbers on the whiteboard. For some background, I highly recommend checking out my blog entry on the basics of QFT here:

http://drexfactor.com/weirdscience/2011/05/18/beginners_guide_poi_qft_no...

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200 tech blogs! This one is on how I've been working to create the hybrid families I've been frequently featuring in my videos over the course of the past year--I have two methods I use these days and this is the more visual one: finding the "lines" of the poi tricks to figure out how to switch between them. Sorry for the weird cuts--I had to get it under 15 minutes :-P

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G stopped by DC for a few days last week and was kind enough to spin some fire for the local burner community at a decom hosted by local party promoters 88. Here is his second burn of the night.

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I've been mapping out hybrids lately that utilize a relationship between the hands and realized I'd been assuming the handle was synonymous with the hands. I then started to think about cases in which the handles could be together but not necessary have the hands together. The first hybrid I played with seemed too easy, so I started doing it with an outer forearm roll and it led both to  isolation vs extension and triquetra vs pendulum hybrids.

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Here's another trick Ronan was showing off on the playa--based in pendulum vs CAP, he was doing a catch with the poi head that would then be used to shift the center of the pattern to either side. Another option was throwing the poi head vertically to enter static vs triquetra. I don't often play with head catching tricks, but these have a really fascinating capacity for shifting an audience's point of attention.

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Here's a move I demoed in an Odds and Ends video a couple months ago, but was also a huge hit at Burning Man. The idea is to take something that is like a stall chaser and introduce both right angles and pendulum stalls into the mix. This essentially turns the move into a series of stalls done in staggered timing and theoretically also offers a great transition between horizontal stacks and vertical stacks.

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A personal request to my viewers: I want to be out teaching more and I need y'alls help to make it happen. Here's how:

Like my page on Facebook so I can tell you when I come to your town:
http://www.facebook.com/drexfactorpoi

Request that I come to your city either on my website of my Eventful page:
http://www.drexfactor.com
http://www.eventful.com/DrexFactor

If you live in the DC/Maryland/Northern Virginia area, come take class from me at Contradiction Dance on Thursdays 8-9:30:
http://www.contradictiondance.com

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Ted Petrosky rocking out hoop Saturday night Fall Wildfire 2011

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Charlie spins Saturday night Fall Wildfire 2011

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Drex spins Saturday night Fall Wildfire 2011

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My second post-BM wrap up. Here's a couple moves I was playing with on the playa. I'm still digging on the hybrid family approach to finding transitions between moves and here are two that jumped out at me as I was playing in center camp. both are triquetra vs. pendulum combos, but one is at unit circle distance and another is with a hand-to-hand relationship. The unit circle distance one incorporates a stacking pattern from a recent tech blog--the combination of which is so delicious I haven't been able to stop playing with it since I found it.

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Shin performance at Tahoe Flow Arts Festival

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Devil Stick Dave performance at Tahoe Flow Arts Festival

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Adam Herscheid spins in Center Camp Monday Burning Man 2011

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Ronan spins Wednesday night Burning Man 2011

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G spins Friday night Burning Man 2011.

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Watch out--this one's long! Over the weekend I experienced a few epiphanies about toroid flowers and it seemed like a good opportunity to do a video that would pull together all the different toroids I'd worked on in the past year and throw a little bit of theory out there to unite them all together into a more cohesive whole. The basis of it is thinking about toroid shapes as products of tracing the path an observer makes through space as they walk around a sphere that is moving around another object, like a planet or moon.

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A poi performance I did at Summer Wildfire. Something a little bit new with some dance and clowning thrown in. I got great responses on it, so I'm going to post it and hope folks enjoy it. Thanks to Mitch for the camera work.

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Joanna Drummond spins fans Saturday night Wildfire Summer 2011

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Little L spins hoop Sunday night Wildfire Summer 2011

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Charlie blindfold burn Sunday night Summer Wildfire 2011

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Kris Valles sent me a request a couple months ago for a tutorial on how to do this move out of a Nicky Evers video. It's not terribly hard, but it does teach some nifty body mechanics. It also results in one hell of a shitty night if you get motion sickness from it as I did ;)

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Last week, a poi spinner by the name of Joe Graff stopped into DC and e6 and I got the chance to hang out and spin with him in Malcolm X Park. He showed off a type of stacking I'd seen in videos but hadn't quite parsed out, but when performed in person realized represented an approach to compounding horizontal stacks that opened the door for switching up the alignments of poi and hand in many of the stacks that we play with.

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This is a little bit of an experiment in interactivity with this vlog. I've played a lot in recent videos with the concept of a hybrid family--a move that will interlock with other moves at a specific or multiple positions. I've take this idea to the point where I can take some of my favorite moves and at each of the 4 compass points be able to transition to a completely different type of move. In this vid I demo triquetra vs pendulum and use it to switch to a point isolation, a windmill, a horizontal stack, and a unit circle hybrid.

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A bunch of random combos I've been working on in the past couple months. The stacking stuff was based upon playing with the idea of leash tracing with the head or hand--something that came out of a move Charlie showed me at Fall WF last year, as well as maintaining right angles in the orientation of the poi to each other. The second stacking combo is very similar to the first, but there's a small difference in the timing that makes the difference between the tracing and actually having a moment where the right angle is seen in full relief.

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I've finally taken the plunge and have begun to attack one of those techniques in the poi world that I've spent the past four years avoiding like the plague: inversions and introversions. I don't fully understand the difference just yet, but having seen some really innovative work come out of this technique in the past few years from Insignia, Charlie, Alien Jon, and Ky I decided it was time to learn :) Here are some very basic elements of these movements to begin drilling that will add up to some more complex patterns in my next video.

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A couple weeks ago I started playing with a variant on a stacking move I've seen Mel and Poiboi play with, but changed what I perceived the timing and direction of the pattern to be. The result felt asymmetric and so after learning it on both sides, I set about figuring out how to switch between them using a wallplane flower in antispin. I then realized it fits in well with the hybrid family I demoed a couple tech blogs back and threw in a triquetra vs pendulum for good measure.

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Part 3 of my Arashi wrap-up series from Firedrums. In this video we talk about creating longer and larger versions of the patterns from the first two videos by using cateyes instead of static spin circles to keep the patterns from overlapping with one's body.

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Months ago I did a couple tech blogs on toroid flowers, that is flowers that are created by constantly plane-bending the poi around a circular hand path. The resulting corkscrew motion then loops back in upon itself, suggestion a circular tube and hence a toroid. Charlie and Ted had suggested to me that there was an antispin variant on this flower and showed it to me at Fall Wildfire last year. It's come up again both because it means our conception of inspin toroidal flowers was off and because it turns out it's closely related to some of the Arashi-based tech I've played with of late.

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This is a months old trick I can't believe I haven't done a tech blog on yet. It came out of Alien Jon, Charlie, and I playing with body tracers when AJ and Charlie were in town back in April. The algorithm for going through this variant on the diamond is a little wonky, but I still think it looks cool. Enjoy! :)

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