In an attempt to take some elements of snaking into a vertical place, I stumbled into a pattern that seemed to make use of both negative space framing as well as creating some lovely moments of isolation. I had a hard time figuring out how to do it on the opposite side of my body (hence re-recording this tech blog), but the results make for a very satisfying fusion of body tracer, negative space, and fountain.

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I've found that I've been doing a lot more body tracers of late and it's motivated me to try and find transitions for them that integrate with other moves I know well. One such transition that's working out pretty well is horizontal stacks. Here are a couple transitions using vertical body tracers that set up stacks fairly well and as I discovered while filming also then present an opportunity to switch between different body tracers.

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Here's an interesting idea inspired by Mel's recent video of his workshop on snakes: I'd noticed that when he was practicing tracing along his arm that it was somewhat reminiscent of a box mode antispin flower that had been somewhat squashed. This reminded me of a concept that had been thrown out on the old Tribe tech poi group: the snake eye. This was a trick wherein you'd take a snake but perform it in antispin, theoretically creating cateyes around your shoulder. While Mel's arm tracer definitely doesn't produce a cateye, it does seem very compatible with snakes. Here's the result.

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This tutorial examines body tracers from the vantage point of thinking of them as two-beat weaves that shift position along the body and starts with a couple basic exercises and the theory behind them and moves into a few examples of the technique in action.

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This is a months old trick I can't believe I haven't done a tech blog on yet. It came out of Alien Jon, Charlie, and I playing with body tracers when AJ and Charlie were in town back in April. The algorithm for going through this variant on the diamond is a little wonky, but I still think it looks cool. Enjoy! :)

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